Showing posts with label New Zealand writers. Show all posts
Showing posts with label New Zealand writers. Show all posts

Saturday, 3 April 2010

The Kindness of Strangers: (Kitchen Memoirs)


The Kindness of Strangers: (Kitchen Memoirs) by Shonagh Koea

I have been savouring this wonderful book in which Shonagh Koea's essays about food allow her to discuss many other things about her life, writing, and experiences. Sometimes she is frivolous, sometimes deadly serious; often she makes droll anecdotes out of horrifying things, and finds amusing details even in the saddest parts of her story. Many of the recipes she includes make something good out of unpromising ingredients, and the same goes for her life story: she makes a witty and magnificent tale out of adversity and hardship.

And the recipes are wonderful! Her "Air India" samosas are the best I've ever had.

Here are some samples:

"When I was in High School my mother sometimes used to make marmalade. There were grapefruit trees growing out the back of the house we lived in and they fruited generously, but the fruit was a pale colour, thin-skinned and possibly not suitable for marmalade. She used to mince the fruit using and old metal mincer that screwed on to the kitchen table and I think she added grated carrot to make the mixture more orange. the results were stiff, extremely opaque and they sat in jars with a sort of grimly globular intensity that was almost alarming. I never ate any of it but my mother would spread it dutifully on her toast, saying meanwhile, 'You don't know what you're missing.' In a culinary sense I do not think I missed much, but the point I missed at the time was that there was nothing else for her to do but make the best of what she had and she did so with scant encouragement."


"I have cultivated quite wild and spreading plants so there is an atmosphere of largess and tropical wildness in my garden and through this I walk carefully with a cup of coffee in one hand an a doorstep of homemade bran loaf spread with marmalade in the other, once I tripped on a low-lying leaf of my big flax plant and fell flat on my face, so I have walked through my garden with greater care since then. I had thought, as it was my very own garden, that I would be able to do anything there and be unharmed but this was just a fanciful thought -- I am apt to have such fancies and think that because it is me that everything with be all right. it mostly is but sometimes not, like the time I tripped over the flax leaf."

"If you are a writer people always imagine that what you write is true, particularly if they know you. Of course it is not because fiction is fiction and can be manipulated to make a good story, and truth often has no resolution of horrors and terrors so is useless to place upon a page masquerading as a tale simply because there is not one. The truth is mostly a jumble of unresolved and sometimes very unrelated facts that collide in a meaningless way. People would not pay good money to read it. They have difficulty enough living it, I imagine. After I wrote The Lonely Margins of the Sea I lost count of the number of times people sidled up to me and said, in a hasty aside, 'You can tell me who you stabbed -- I won't tell a soul' The novel was about a woman who had stabbed her married lover and had gone to prison. [...] It was flattering, I suppose, to be considered so dangerous when I cannot, in real life, even dismember a chicken from the supermarket. My carving of meat is so inexpert that once, in the days when I used to make some pretence of having people to dinner, I hacked at a piece of beef with such a blunt knife that the candles fell out of the candlesticks and nearly set fire to the tablecloth."

Friday, 22 January 2010

Papercuts

Thanks to Matthew for pointing me to this incredible stop-motion animation of cutouts from the pages of a novel. This story sure does leap off the page :-)

Friday, 12 December 2008

Eileen Duggan: stunning poetry

Eileen Duggan (1894–1972) was well-known in New Zealand in the 1930s and 1940s as a leading poet; she supported herself full time as writer for 50 years, producing not only poetry but essays, reviews and journalism.

I first came across Eileen Duggan's work in the beautiful anthology My Heart Goes Swimming: New Zealand Love Poems , which also contains other New Zealand greats such as Katherine Mansfield, Alistair Te Ariki Campbell, Cilla McQueen, James K Baxter, Hone Tuwhare, Bill Manhire, Fleur Adcock, Lauris Edmond, and many others. Unfortunately this book is currently out of print.

Duggan's poetry is polished and formal, which will alienate some readers, and at its worst can be sentimental and contrived, but at its best I think it's breathtaking! I haven't been able to locate any of her books of poetry still in print, but some can be found in libraries. Meanwhile here are three poems to whet your appetite:

The tides run up the Wairau

The tides run up the Wairau
That fights against their flow
My heart and it together
Are running salt and snow.

For though I cannot love you,
Yet heavy, deep and far,
Your tide of love comes swinging,
Too swift for me to bar

Some thought of you must linger
A salt of pain in me
For oh what running river
Can stand against the sea?



Night

You are the still caesura
That breaks a line in two;
A quiet leaf of darkness
Between two flowers of blue

A little soft indrawing
Between two sighs;
A slender spit of silence
Between two seas of cries.



Illumination

The leaf was dark until a wind
Flung it against the living sun
And all the little cells behind
Were lit up one by one
...
Lord, if my green has power of fire,
Fling me against you love or ire
That I may give you out again
In one green, luminous amen.



You can read more about Eileen Duggan on her Book Council page, and there are some photographs of her here.

Tuesday, 4 September 2007

Natalie Buchanan, romance novelist extrordinaire

Natalie Buchanan writes saucy romances in between caring for her four young children. You can read all about it here.

Tuesday, 31 July 2007

A Fancy Man

A Fancy Man

This book is absolutely dazzling, if such a gritty, honest book can be dazzling. It tells the story of the love affair of a very young woman and an older man in a small rural town which heartily disapproves. He is an alcoholic farm worker trying to raise two young children on his own, and she is a rebellious schoolgirl whose only hobby is riding her pony. How their story works out, with all its twists and turns, is a fascinating journey.

McCauley's style reminds me of Thomas Keneally's: like Keneally, she not only tells a ripping yarn, but gets you right in among the characters, effortlessly switching between many points of view.

Sue McCauley's Book Council Page is here. Make sure you scroll down to the bottom of the page and read the story about the horse!

Tuesday, 5 June 2007

Story of a New Zealand River

This novel was written in 1914 and I expected it to be old-fashioned and dull. In fact it's quite a page-turner! Set on Northland's Otamatea River, it describes the journey upriver of an English immigrant to a remote logging settlement; her personal development in this alien setting is chronicled along with the development of the prosperous mill town.

The story has a number of features in common with Jane Campion's The Piano, and there have been allegations that Campion was heavily influenced by Mander's novel, and never acknowledged her debt. To me, there are a lot of differences between The Piano and Story of a New Zealand River...but you can judge for yourself.

I think Story of a New Zealand River may currently be out of print, but it's available from libraries, and you can read it online or download it as an e-book, here.

There's more information on author Jane Mander here.

Tuesday, 29 May 2007

A nest of singing birds

The New Zealand School Journal started out 100 years ago as a textbook-substitute, but it has evolved into a cultural and literary treasure. So many great New Zealand writers and artists got their break with School Journal.

To celebrate the School Journal's centenary, the National Library is showing a selection of original art contributed to the Journal by such big names as Rita Angus, Colin McCahon, Louise Henderson, Juliet Peter, and many others.

The exhibition takes its name from Alistair Te Ariki Campbell's description of the Journal's office as "a nest of singing birds"; A Nest of Singing Birds is at the National Library in Wellington until the 21st July. You can read more about the exhibition here. And some historical background here.

And if you want to send your own original work to the School Journal, this is the page for you.

Nights in the Gardens of Spain

Nights in the Gardens of Spain

Forget everything you thought you knew about Witi Ihimaera. In this, his most recent novel, he steps outside his usual Maori settings, and into white Auckland of the 1990s. David Munro is a white academic, born into privilege; he is a promiscuous homosexual who is happily married with two beloved daughters. Eventually his nights of casual sex with strangers, his "Nights in the Gardens of Spain", throw his life into chaos, and threaten to destroy his family. How David deals with the conflicts within himself and with the world are the substance of the book.

Tuesday, 24 April 2007

Harlequin Rex


Harlequin Rex


I've just read this stunning novel by Owen Marshall. It's his second; reviews of his first novel, A Many Coated Man, were not favourable. Landfall's reviewer claimed he was better to stick to short stories: "less is more", said reviewer Andrew Mason. However he wrote Harlequin Rex anyway, and it won the Montana Deutz Medal.

It's the story of a plague of psychiatric illness, nicknamed Harlequin, which causes the higher mental functions to shut down; this leaves only the "old brain" functions, the basic atavistic urges, running suddenly free. Sufferers in the grip of an "episode" hear and smell acutely, and become wildly excited; their mania may be sexual, or destructive, or playful, or murderous. Episodes become progressively more severe; in almost all cases, collapse and death follow.

Harlequin is spreading rapidly in New Zealand, and sanatoria are set up in isolated places to house sufferers until either a cure is found, or they die. Neither the cause of the illness nor its means of transmission are known. Adults of all ages and backgrounds find themselves committed to institutions from which few will ever leave. Marshall's story is set in one such sanatorium, the Slaven Centre, in the Marlborough Sounds. His central character is David, an ex-convict who has reasons for laying low, and who takes a job as an aide. Himself healthy, he becomes a part of this closed and doomed community, sharing the banal tragedy and the constant petty humiliations of institutional sickness.

Marshall describes his style as "impressionist"; His narrative is a chain of sense experiences and passionate emotions, linked by reflections on fate, mortality, personality and humanity. The style reflects the conflict of the animalistic brain, knowing only the moment and its desires, and the higher mind, aware of the passage of time and lost opportunities.

You can read more about Owen Marshall on his Book Council page. Clicking on the picture or heading above takes you to Fishpond.

Tuesday, 20 March 2007

The Inhabited Initial


The Inhabited Initial


I have been savouring Fiona Farrell's poetry collection The Inhabited Initial, which deals with the ancient middle-eastern sources of our alphabet, as well as related issues of power, violence, history and language in the Middle East.


from "The Translator"


"The translator dangles/ by a thread above/ thickets of sound.// He presses his hand at/ the small sharp print/ of an ancient tongue.// His fingers feel for the/ crack where words can/ spill from the rock like water."


There are memorable New Zealand poems, too. I love this, from "Otanerito":


"Cliff meets sea./ Sea bash at/ knuckle rock./ Thump, says sea./ Cliff says/ stop."


It's so like her poem "Full stop":


"The little dot raises its hand./ It breaks into the letters marching/ from left to right and forces them to/ form cohorts of meaning. It insists on quiet."


Land, language, human struggle, all bound together. Fantastic.

Tuesday, 6 February 2007

Occasional: 50 Poems

Occasional: Owen Marshall

I thought Owen Marshall only wrote short stories, but I happened upon Occasional: 50 Poems, his 2004 poetry collection. He has a trick of being brutal, plain-speaking, and lyrical, all at once. I don't know how he does it. Try this, from "Marlborough":

"Were we ever told of a great duke and a famous victory? If so we soon forgot them in that burning present which is the only tense that childhood knows. The sky was dizzying then, like a great blue book opened till its spine was broken, and the perpetual, golden-maned sun roamed so fiercely from east to west...."